[ MEMOIR · COMPLETE MANUSCRIPT ]
The Loss
of Self
Am I what you wanted? The question I was asked at four — and spent fifty years trying to answer.
A MEMOIR BY ALEK MARTIN
A man spends fifty years trying to answer one question he was asked at four — am I what you wanted? — and nearly dies getting to the truth.
Why am I the way I am?
When I was four, the woman I called Mum turned out not to be my mother. She was my grandmother — the one who raised me, my rock, my whole world. The woman I’d thought was my sister was actually my mother, and one afternoon she sat beside me on the pavement and told me to stop calling my grandmother “Mum” and start calling her that instead. Not out of love. Her boyfriend wanted a child, and rather than carry one herself, she reached into the only safe world I had and pulled me out by the roots. Five years later she looked at a dark-haired, brown-eyed boy in the street and said, “Why don’t I have a brown-eyed boy with dark hair?” I was blonde and blue-eyed. In that second I built a monster that spent the next fifty years whispering the same thing: you were never what she wanted.
I’m gay, and I have never wanted to be. I dreamed of a wife’s eyes, of children, of being the father who breaks the cycle — and being gay in my generation meant burying that. So I did what I’d learned to do at four: I escaped. At sixteen I ran, and I never looked back — across nine countries, four languages, always moving.
And here’s the part people don’t expect — for a long time, it worked. I was a figure skater decorated by the Luxembourg monarchy, the first athlete from my country to sign with Holiday on Ice. I was beautiful, and beauty opened every door; whatever I touched turned to gold. I acted in a François Ozon film, I modelled, I built streetwear empires and a recruitment company. A Porsche across a bridge in Düsseldorf at twenty-eight with three hundred thousand in the bank. Millions passed through my hands. I was winning.
Then my grandmother got cancer, and within twenty-eight days my entire life detonated. She had been my resilience — the one thing holding thirty-nine years of buried trauma at bay — and when she died, all of it came back at once. While she lay dying, my family sent me away to “protect” my sister; I met a man in the street and mistook him for a gift from her. She slipped into a coma the hour I left, and died days later. Within eleven days I let that man — HIV positive — infect me on purpose, because I could not survive losing one more person I loved. Days after that, my own grandfather — the man I’d called Dad for thirty-nine years — looked at me across a garden table where my family was already carving up the inheritance, handed me a bill for the cost of raising me, and said: “No, you are not my child.” And while I sat at her deathbed, the man I’d trusted with my business emptied every account, told my clients I was a fraud, and vanished.
In twenty-eight days I lost my mother, my father, my family, my income, my business, my dog, and my health. That was the catalyst for seven years of pure self-destruction. I booked surgery to look like someone else, and within weeks I looked nothing like the person I’d been before she died. I burned through every euro I had on chemsex and gear, getting high and playing for twenty-four hours at a stretch just to make time pass. I shared my partner with the men who paid for him, then sold my own body in hotel rooms — me, monogamous, so private I could barely say the word. I was drugged by a man I loved. I held a large kitchen knife and did the actual maths on twenty years in jail. I came within one decision of ending it all. I handed my power to one beautiful, broken man after another, mistaking being needed for being loved — re-staging the first wound again and again, hoping for a different answer from a mother who would never give one.
And then I fought. And fought. And fought back.
This is the book about all of it — about how one sentence in childhood writes every disastrous choice you make for the next five decades, until the day you finally see the pattern and it loosens its grip. I wrote it the way I talk: fast, filthy where it needs to be, funny where it has no business being funny, and honest to the point of pain — about everyone, starting with me. I let no one off the hook, least of all myself.
But I won’t lie to you about the ending. This is not a typical happy one. I’m fifty-three now — older, wiser, but not healed, because I don’t believe you ever fully heal from scars cut that early. What I’ve done instead is accept them, and finally protect my inner child rather than run from him. The cost is real and I’m still paying it: no savings, no career left standing, still in a relationship with the man who has hurt me most, none of the security most people my age have built. Where others have a pension, I have a story. I’m starting over at fifty-three with almost nothing, fighting to make a living, and hoping — though I can’t be sure — that this book is the thing that finally buys me the peace I have never once had. I still have to say it plainly: I have failed at my life. But I will not give up until I have made up for the last seventeen years. I have finally understood that the power I gave away — to men whose job it never was to take care of me, to make up for the disaster my mother was — I now place into my career, and into myself.
If you read one thing of mine, read this.
I am my screaming grandmother, my absent fathers, my ever-rejecting mother.
I am the lie of my family.
I am the mysterious pregnancy of my mother.
I am Luxembourg and all the foreigners I grew up with, and the church where I sat every Saturday night.
I am the four languages of my country.
I am stateless, a mongrel.
I am the misery of generations in one person.
I am the master of empathy.
I am the courage that all my family members lack.
I am the moment of eternal change.
I am Yves, I am Alex, I am Alek, I am the unofficial prince, I am many in one person.
I am an actor who must constantly take on a role just to get by.
I am the warrior who needs to create wars to keep working.
I am both the problem and the solution.
I am my unwanted homosexuality.
I am the unwanted son, the everlasting rejection.
I am the living definition of never fitting in, the one who is always out of place, no matter where I am.
I am, without a doubt, an extension of my past.
I am the search.
I am the narcissist, the mentally distorted, the embodiment of pain.
I am survival.
I am undefinable.
Ultimately, I am the mystery and the secret.
[ WHY THIS BOOK, NOW ]
Most trauma memoirs tell you bad things happened. This one names the machine: how a single sentence in early childhood becomes the hidden engine driving fifty years of choices — and what it costs to finally see it. It sits in the confessional-memoir lineage readers already buy — the raw honesty of A Million Little Pieces, the literary control of Mary Karr’s Lit, the structural daring of In the Dream House — but with a propulsive, screen-ready arc: monarchy and medals, millions made and lost, a twenty-eight-day collapse, and a hard-won, un-sentimental reckoning.
The author isn’t only the subject — he’s a working trauma coach with a live platform and an audience already in motion. The book anchors a brand, not just a title.
[ FOR LITERARY AGENTS, PUBLISHERS & SCREEN ]
The full manuscript is complete. It’s ready when you are.
Available to agents and editors on request. I’m seeking literary representation, and I’m open to conversations with producers and developers about film, limited series, and documentary.
Format
Memoir · ~86,000 words · complete
Languages
Written in English · author works EN / DE / FR / LU
Author base
Berlin · lived across nine countries